Star Cast: Nawazuddin Siddiqui, Sanya Malhotra, Farrukh Jaffar
Director: Ritesh Batra
Producer: Ritesh Batra, Ronnie Screwvala
Rating: 2.5/5 Stars
Music Director: Peter Raeburn
After the success of Ritesh Batra’s lunch box, his film came in the picture after six years. Currently there is a biopic track in Bollywood. But instead of producing films of this type of hair, he tackled a photograph like photography. Photographer Nawazuddin Siddiqui and Sanyala Malhotra have also appeared in this film, and their love story is confronting the attention of the audience.
Story of the movie:
This story is about two people living in Mumbai and their love for love. Rafiq (Nawazuddin Siddiqui) is a common photographer who is standing near the Gateway of India, taking photos of tourists. Those who take away their photos from the photograph. Aji (Farooq Jafar) who lives in his village has a strong desire to get married to Nawaz because he lives alone with friends in Mumbai. That is why it always starts behind the ruffle. Tired of her tangadia, Rafiq sent a photo of the grandmother (Sanya Malhotra) and told him to meet a girl named Nuri. So, the grandmother comes to Mumbai to meet Nuri. Milony is a daughter of a middle-class Gujarati family studying in CA. Then Rafiq finds Nauri and asks her to meet her grandmother. Miloine too will accept it for all. Then they get to see the unconscious love between them.
Sanya Malhotra is superb in her role. Nawazuddin Siddiqui is good as the taciturn Rafi. While, Farrukh Jaffar as Nawazuddin Siddiqui’s grandma is the biggest takeaway for me from the film.
The film’s music is good. The background score fits just perfectly to the scenes adding its magical touch.
In the meantime, the audience will be seen in a different Romantic Chhata by the likes of different types of films. Even Sannyas also have a lot to say about the role of Miloni. Specially, one of these scenes will give special status to the bus. Attempt to talk to Nawab Sana, who is sitting on the back seat in the bus. But it succeeds. But after that, the act that he made from the eyes is indeed worth seeing.
In this film, there is less dialogue between Nawaz and Parna, and the dialogue is very much in the language of symbols. Similarly, the songs of Mohammed Rafi and RD Burman have also been used in this movie. This is why the filmmakers have been able to get together in the film.